Mahogany is a wood that evokes refinement, class and
prestige. In her book Mahogany, Jennifer Anderson describes a world
of refinement during the British colonial era that was built on the backs of
exploited slaves, cut throat traders and environmental destruction. The incredible qualities of this tropical
wood are well explained by Anderson as insect-resistant, very strong and easily
shaped by craftsmen. One of the most
prize virtues of mahogany is its use towards furniture by being able to hold a
high polish. I really liked the how
Anderson presented the push-pull dynamics of the Eighteenth century market,
answering the North American craze for mahogany furniture. Demand for fine mahogany furniture really
ramped up fast, similar to the rapid increase in Americans appetite for bananas
found in Banana Cultures.
Anderson looks at two grave consequences of the mahogany
trade – slavery and environmental destruction.
Anderson skillfully expounds the tragic and horrible use of slaves in
the harvesting of the tropical towers.
Like Mintz in Sweetness and Power,
Anderson drives the point of exploitation of labor and its complete removal
from what these biological giants become in North American colonial homes and
businesses. This of course is a grand
example of Marx’s “commodity fetish” – James favorite theme. I particularly like Candace’s reference to Anderson
treatment of this idea - “Marx’s dancing table, mahogany was transubstantiated
through human effort into objects” (15).
As the agribusiness such as sugar cleared jungle in Jamaica,
the “gold standard” trees of the mahogany trade became extinct on the island, extraction
began on the mainland of Central and South America. Due to the nature of a several centuries
maturity rate, the treasured trees were basically wiped out. This environmental “clear cutting” was seen
in renewable commodities such as sugar and banana’s, but the mahogany trade cut
itself out of the market.
This book is well written, mapped, illustrated and
sourced. As a recent publication I feel Anderson
depicts a maturity in the field of commodity history.
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